DCP Drive Formats
EXT2, NTFS, and HFS+, OH MY!
If these acronyms don’t mean anything to you, you’re not alone. This article will walk you through what they mean, and why it matters when delivering your DCP to festivals or theaters.
Before getting into it, be warned that this may get a little technical.
Why Won’t This Work On My Mac?
When you plug a drive into a computer, the operating system needs to be able to understand how to read the files written to the drive. Just like a native English speaker probably won’t understand a book written in Chinese, an operating system that doesn’t support the drive’s file system won’t be able to read the files on the drive.
Most major computer operating systems have their own native filesystem. Here’s a list of some popular filesystems and their operating system counterpart. Don’t be scared by the acronyms, all you need to understand is which group of letters on the left, go with which operating system on the right:
There are many filesystems in use across the world of computers. The above lists the most popular in the world of filmmaking and digital cinema. There’s a ton of history with regard to filesystems and operating systems. This Howtogeek article covers the most popular filesystems in much more detail.
By default, the latest version of OS X (dubbed Sierra), can create, read, and write to three filesystem types: OS X Extended, MS-DOS (FAT), and ExFAT.
Drives formatted for delivery to digital cinema servers are usually formatted EXT2 or EXT3 for Linux. Without third party software, your Mac won’t be able to recognize the filesystem of the Linux formatted drive. Sort of feels a bit like a time-warp back to 1993 right? This basic incompatibility is also the reason that you cannot simply copy your DCP to a thumb drive using your Mac and expect it to work in a digital cinema server.
Linux Everything
Digital Cinema Initiatives, LLC (known as DCI) the company that created the DCP specification worked really hard to make sure that the standard was built on open technologies. This was meant to ensure that no one technology company could obtain undue influence in the market. Hollywood has seen many film-tech companies rise to a dominant position (Technicolor, Dolby, etc) and didn’t want computer or software companies to be in a similar position when projection switched to digital. This commitment to open standards meant that the industry adopted a Linux-centric position. All DCI compliant playback servers run a variant of Linux.
Because the computer that will play your DCP is running Linux, in order to ingest (copy) your film to it’s internal hard drives, the drive you plug into the server needs to be recognized by the Linux operating system. While it is true that your drive might be able to connect to the server, it is the drive’s formatting that determines if it is recognized or not.
There are a ton of different variants of the Linux operating system. Some have software that supports the hard drive formats created by Macs and Windows machines, and some don’t. That means that the drive containing your DCP needs to be formatted specifically for Linux using the Extended File System which goes by EXT for short. There are a few different versions of the EXT format and luckily, they are just numbered: EXT2, EXT3 (which is basically ext2 with journaling), and EXT4.
Because of the amount of variance between different flavors of Linux, in order to have the best chance that the drive will be recognized, EXT2 should be used as it was the standard for the longest period of time, and has the widest support in various versions of Linux. Some will argue for EXT3 as it is a more modern implementation of EXT2, but Cinematiq has seen some library management systems (LMS) at some cineplexes that don’t support EXT3 formatting. Complete compatibility also hinges on a couple of other key pieces like partition tables and inode size that we won’t go into here.
In short, as a filmmaker authoring a DCP, you won’t necessarily know what theaters your DCP drive may end up at. The best way to ensure that you’re compatible, is by following the standards that Hollywood created by using the industry standard CRU drive formatted EXT2 for Linux.
Enter DCP Transfer
Unless you’re familiar with Linux, creating DCP delivery drives was a frustrating and time consuming process. That’s why the folks at Cinematiq created DCP Transfer. DCP Transfer is an application for macOS that enables you to turn any USB hard drive into a standard EXT2 Linux formatted drive ready for delivery to any digital cinema in the world using the Mac you already have.
It also allows you to test existing DCPs and new copies for completeness — ensuring that all elements are included and that no corrupt elements are present before sending a drive off to festivals, theaters, or distributors. The Package Inspector displays important DCP information including frame rate, aspect ratio, audio type, encryption status, and more.
In short, DCP Transfer gives filmmakers important tools to deliver their films in the DCP format with confidence.
In the next article, I’ll explain a bit about what a two-pop is, some of the history behind it, and why this relic from the past remains more important than ever when creating DCPs.
About Cinematiq: We’re a digital motion picture lab based in San Francisco specializing in video encoding and DCP creation. Our team of technicians and video specialists work to make sure that your vision ends up on screen the way it was intended. Whether you are a filmmaker, festival or distributor, we’ve got solutions to some of the most challenging problems in the motion picture industry today. We’re also the creators of DCP Transfer, a software application that allows you to easily format hard drives using the ext2 filesystem for DCP Delivery, as well as view DCP info / metadata.
